exactlyâŚ
this is inspiring me to find my own definition of Lucid Dreaming⌠because for me, LD is about being a receptacle for the truth to come in - in daytime through intuition (I believe that practicing intuition regularly has a very strong impact in my LD), in the night, through dreams. I donât feel I control anything, what I âdoâ is being open and allow it all to happen. It comes from the heartâs wish to evolve and understand life. itâs also about understanding the nature of reality and expanding our consciousness. Itâs also a faithful expression of our deepest potential - human and divine.
Today I had the idea of going back to the original text that inspired all thisâŚ
âThe Gilgamesh Cantata
Curtiss Hoffman
Ashland, MA, USA
Classical music has been an important part of my waking life from childhood onwards. I played clarinet in ensembles through college, and Iâve gathered a large collection of recordings. Over the past 5 years, Iâve taken up an early instrument, the crumhorn. In addition, music plays an important role in my dream life.
Musical themes appear in over 200 of my dreams â 2.2% â either as specifically identified pieces of (mostly) classical music or in the form of background music or musical instruments. Generally speaking, the music in my dreams has the role of setting the emotional tone of the dream, though
sometimes specific pieces act as symbolic tokens in a more abstract sense.
During the summer of 2010, I read Jungâs Red Book, and it had a profound effect upon my consciousness. Themes from the book frequently appeared in my dreams and waking synchronous experience, in the former case often prior to my reading them. The âbiggestâ dream in this series concerned my observation of a group of choristers performing a cappella cantata based upon texts from the Red Book.
Upon awakening, I realized that the texts derived from the âIncantationsâ section of the book, in which Jung presents a series of prayers within his dreaming which were directed to the Babylonian hero Gilgamesh, whom he had previously in the dream mortally wounded and saved by collapsing him to miniscule size and placing him within an egg, which he brought to a village for incubation.
Subsequent dreaming has made it clear to me that I am being asked to compose this cantata out of themes my dreaming presents to me. While I have no formal training in musical composition, I have agreed to undertake this project. The first stage has been to translate the words of
the incantations from German into Akkadian, the actual language of the Gilgamesh epic. My training in ancient Near Eastern languages has made it possible for me to accomplish this. Next, specific themes associated with portions of the âIncantationsâ section are being applied to the text,
but only if they emerge from my dreaming. I will share my experience in this paper. This is a work in progress, with no definite completion date envisioned as yet!â
Source:
International Journal of Dream Research Volume 4, Supplement 1 (2011)
S55 influencia de ambiente nos sonhos - dalai lama.pdf (433.1 KB)
In this gather of articles, there is a very interesting reference about the importance of the context around us in our dreams - page S55, âone teen, who has been raised in a spiritual community and exposed to a variety of spiritual teachings, may dream of receiving teaching from the Dalai Lama.â.
There is also a very interesting text âWhat Happens When Choirs Dream Together?
Orchestrating Dreaming in Groupsâ at page S56